What Was My Grandsons Name Again
Romeo and JulietPlease come across the bottom of the page for explanatory notes.Please click here for even more notes and paraphrases.
Next: Romeo and Juliet, Act 2, Scene three __________ Explanatory Notes for Act ii, Scene two __________ Prologue ane. He jests ... wound, Mercutio, who never felt the wound of dearest, may well jest at the scars which Cupid'south arrows have left in my heart. That this is not a full general, but a detail, remark is, I recall, proved by the answering rhyme, as Staunton has noticed. And as neither the folios nor the quartos make whatsoever division of scene, such sectionalisation, originally due to Rowe, seems clearly wrong. 2. soft! he bids himself 'hush,' cautions himself to talk in a lower vox. 4. envious, jealous. 7. Be not her maid, no longer serve her, no longer keep a vow to live unmarried; as Diana's votaries pledged themselves to do. eight. Her vestal ... green, the life of chastity to which she binds her priestess is one of sickly, jaundiced, hue. In sick and green at that place is probably, as Delius suggests, an allusion to the "light-green-sickness" of which Shakespeare often speaks, and which in three. 5. 157, beneath, Capulet applies as an epithet to Juliet in his anger at her refusal of Paris, "Out, you green-sickness carrion! out, yous baggage! Yous tallow-face up," — an ailment of languishing girls characterized by a pale complexion. The reading of the commencement quarto is pale for sick, and this is preferred by many editors. Collier would change sick into white, seeing in the line an innuendo to the white and greenish livery formerly worn by the Court fools; simply it seems unlikely that Shakespeare would use the word fools in this literal sense when referring to Juliet, while, as Grant White points out, if such an innuendo were intended, it would exist obtained from the reading of the outset quarto, pale, without the violent change to white; vestal livery. Vesta was the Roman goddess of the hearth, corresponding with the Greek Hestia, and her priestesses were vowed to a life of chastity and celibacy; cp. Per. three. four. 10, "A vestal livery will I take me to, And never more have joy." 12. what of that? only that matters niggling. 13. discourses, is eloquent in its mere look. 16. some business, some individual affairs of their own which would exist hindered by their having to perform their nightly duty of lighting up the sky. 17. in their spheres. Co-ordinate to the Ptolemaic system of astronomy, circular about the earth, which was the heart of the system, were nine hollow spheres, consisting of the vii planets, the fixed stars or firmament, and the Primum Mobile; the spheres with the stars and planets in them being whirled circular the globe in mean solar day by the driving power, the Primum Mobile. 21. the blusterous region, the upper air; region, was originally a partition of the sky marked out by the Roman augurs. In later times the temper was divided into 3 regions, upper, middle, and lower. Cp. also Haml. two. 2. 509. 24, 5. O, that ... cheek, cp. Tennyson, The Miller'due south Girl, 169-186. 28. winged messenger, angel. 29. white-upturned, turned upward in admiration so that the pupils are scarcely seen. 30. autumn dorsum, stand back in awe, and also in order to get a clearer view. 31. lazy-pacing, slowly drifting. Grant White compares Macb. i. 7. 21-5; lazy-pacing is Pope'due south conjecture for lasie pacing, of the first quarto; the remaining quartos and the folios give lazie, or lazy, puffing. 34. refuse, disown, disclaim; cp. T. C. iv. 5. 267, "We have had pelting wars, since you refused The Grecians' cause." 37. speak at this, answer her without assuasive her to go further, interrupt her at this point. 39. Thousand art ... Montague. Staunton explains "That is, every bit she afterwards expresses it, you lot would yet retain all the perfections which ardorn you, were not chosen Montague"; so substantially Grant White, though Dyce calls such an explanation "unintelligible." Others follow Malone in putting the comma after though, as used in the sense of however, with the explanation that Juliet is merely endeavouring to business relationship for Romeo'south being affable and excellent though he is a Montague, to evidence which she asserts that he merely bears the name, merely has none of the qualities of that house. Various emendations have also been proposed, but Staunton's caption seems to me quite satisfactory. 42. be another name, be somebody else in name than Montague. Lettsom objects that Shakespeare could not take written "be some other proper name"; but after the expression "What's Montague?", where "Montague" is used as though it were a affair, there seems no reason why nosotros should non have "be some other proper name." 46. owes, owns; as frequently in Elizabethan literature, the final n of the M. E. owen, to pcssess, being dropped. The modernistic sense of the word 'to be in debt,' 'to exist obliged,' comes from the sense of possessing another's property, merely the give-and-take has no etymological connection with to 'own' = to possess; it beingness from the A.S. agan, to take, while the latter is from the A.S. agnian, to appropriate, merits every bit one's own, from agn, contracted grade of agen, one's own (Skeat, Ety. Dict.). 47. doff, put off; do off, as don, do on; dup, do up; dout, exercise out. 48. for thy proper noun, in exchange for your name. 53. And so stumblest on my counsel, come up and then unexpectedly upon my secret thouglits; cp. M. N. D. i. 1. 216, "Emptying our bosoms of their counsel sugariness," i.e. confiding to each other our inmost thoughts. 53, 4. By a name... am, if I could let yous know who I am without using a name, I would gladly do so, for it is impossible for me to name myself without distressing you. 55. saint. Delius points out that this discussion recalls their first meeting when, equally a pilgrim, Romeo had thus greeted Juliet. 58. boozer, unconsciously acknowledging the avidity with which she had listened to his words. 61. if either thee dislike, if either be unpleasant to your ears; dislike is really impersonal, as in Oth. ii. 3. 49, "I'll do't; merely it mislike's me." 64. And the place death, and to venture here is to take a chance your life. 66. o'er-perch these walls, wing over these walls and settle hither, as a bird settles upon a branch after a flight from some other spot; a perch is literally a rod, bar, and so a bough or twig on which a bird settles. 67. stony limits, limits formed of stone, i.e. walls; stony, more commonly used as = of the nature of. 69. are no let to me, are no hindrance to me, cannot bar my way and keep me out. 71. Alack, co-ordinate to Skeat, either a abuse of 'ah! lord,' or, which seems more than probable, from ah! and M. E. lak, loss, failure. 73. proof confronting, able to endure, concord out against; see annotation on i. 1. 216. 76. simply thou love me ... here, except, unless, y'all love me, I am quite willing that they should find me here and kill me; without your love, life to me is not worth living. 78. Than decease ... beloved, than that my expiry should be delayed if I am to be without your dear; prorogued, the Lat. prorogare was to propose a farther extension of role, lience to defer, though literally pregnant only to enquire publicly, from pro-, publicly, and rogare, to inquire. 81. counsel, advice. 83. vast shore. "Lat. vastus, empty, waste" (Walker). 84. I would chance for, I would make my voyage in quest of, yet great the danger. 88. Fain ... class, gladly would I, if it were possible, stand on anniversary with you lot, treat you with afar formality; Fain, properly an adjective. 89. but bye compliment, "but away with formality and punctilio" (Staunton); I now bandage such things to the winds. 93. laughs, good-humouredly disdains to punish them. Douce compares Marlowe'south translation of Ovid'southward Art of Love, i. 633, "For Jove himself sits in the azure skies, And laughs beneath at lover'south perjuries," from which he thinks that Shakespeare borrowed. 94. pronounce it faithfully, assure me of your honey without adding an oath to confirm your words. 97. So, provided that. 98. fond, foolishly loving; fond, originally fonned, the past participle of the verb fonnen, to deed heedlessly, from the substantive fon, a fool. 99. low-cal, full of levity, wanton. 101. more cunning ... strange, more skill in affecting coyness. 104. passion, passionate confession; the discussion was formerly used of any strong emotion. 106. Which the dark ... discovered, which (love) has been revealed to you by the darkness of the dark whose office should be to muffle; which y'all have discovered thanks to the darkness of the dark. 110. circled, revolving; non, I think, 'round,' as Schmidt explains. 111. likewise, equally. 113. gracious, attractive, finding favour in my optics; cp. T. A. i. 1. 429, "if e'er Tamora Were gracious in those princely optics of thine." This is the reading of the get-go quarto, the other onetime copies giving glorious, which Grant White thinks more suitable to the context. 114.of my idolatry, that I worship. 117. I have ... to-night, I feel no joy in now ratifying with oaths a contract between us. Like Romeo, i. 4. 106-11, she has a presentiment of some evil befalling their plighted honey. 118. unadvised, imprudent, formed without sufficient consideration. 121, ii. This bud of love ... meet, this new honey of ours, cherished in our hearts, may expand into full growth past the time we side by side run across, as beneath the summer's warmth the bud expands into a beauteous blossom. as that ... breast, "as to that eye within my breast" (Delius). 126. satisfaction, Delius points out the double sense here of payment and comfort. 129. And yet ... once more, and nevertheless I wish I had not given it, in guild that I might now again have the joy of giving information technology. 131. frank, liberal, gratuitous of mitt; cp. Lear, iii. 4. 20, "Your sometime kind father, whose frank middle gave all." 132. the thing I have. sc. her ain space dear. 143. If that ... honourable, if your love is honourable in its intentions; for that, as a conjunctional affix, see Abb. § 287. 145. procure to come, arrange to have sent. 146. the rite, sc. of spousal relationship. 152. By and by, in a minute, directly. 153. accommodate. Malone quotes from Brooke's poem, Romeus and Juliet, "and now your Juliet you beseekes To cease your sute, and suffer her to alive emong her likes." 154. Then thrive my soul — may my soul prosper (according every bit I mean well to you), the concluding words being broken off past Juliet's farewell. 156. A thousand ... lite, in respond to Juliet's wish of adept-night he says, nay, not good night just bad nighttime, night made a grand times the worse by the absenteeism of you who are its simply light. 158. toward ... looks, sc. as schoolboys go toward, etc. 159. Hist! Mind! 159, threescore. O, for ... once again! would that I had a voice that would bring back my gentle Romeo as surely as the falconer's voice brings ack the tassel-gentle! "The tassel or tiercel (for so information technology should be spelled) is the male of the gosshawk; so chosen because information technology is a tierce or third less than the female...This species of hawk had the epithet gentle annexed to it, from the ease with which it was tamed, and its zipper to man" (Steevens). "It appears," adds Malone, "that certain hawks were considered as appropriated to certain ranks. The tercel-gentle was appropriated to the prince, and thence was chosen by Juliet as an appellation for her beloved Romeo." 161. Bondage ... aloud, 1 fettered, constrained by fear of being overheard, like me, is equally much unable to call aloud as one whose voice is stopped past hoarseness of the throat. 162. Else ... lies, otherwise by my loud cries I would rend the cave in which Echo dwells; Echo, an Oread who past Juno was changed into a existence neither able to speak until somebody had spoken, nor to be silent when everyone had spoken. 163. And make ... mine, and, by compelling her to repeat my cries, make her hoarser than myself even. Dyce compares Comus, 208, "And airy tongues that syllable men'southward names On sands and shores and desert wildernesses." 166. silvery-sweet, in allusion to the sweet tone of bells fabricated of silver. 167. attending, attentive. 173. to accept ... there, in order to proceed yous standing there. 175. to take ... forget, so that you may continue to forget. 176. Forgetting ... this, forgetting that I have whatsoever dwelling but this, forgetting that this is not really my home. 178. a wanton's bird, the pet bird of a mischievous daughter, a girl that loves to tease her pets. 180. gyves, chains, fetters. 182. And so loving-jealous ... liberty, and so fond of it and nonetheless so jealous of its getting its liberty. 186. shall say good night, shall continue saying 'good night.' 188. and so sweetness to rest, having and then sweetness a resting place. 189. ghostly begetter, spiritual male parent; father, a title given to catholic priests. 190. my dearest hap, the skilful fortune that has befallen me; hap, fortune, chance, accident, from which we get to 'happen' and 'happy.' How to cite the explanatory notes: ______ Fifty-fifty more... Daily Life in Shakespeare'south London Games in Shakespeare's England [A-L] Queen Elizabeth: Shakespeare's Patron Ben Jonson and the Reject of the Drama Alchemy and Astrology in Shakespeare'southward Mean solar day | Notes on Romeo and JulietJuliet appears above at a window (stage direction). Shakespeare did not include this stage direction and it is not in Q1 or the Showtime Folio. Information technology was added in the 17th century and has remained ever since, although some editors choose to identify the management correct afterward Romeo'southward line "He jests at scars that never felt a wound" (i), while others insert it correct before Romeo says "It is my lady, O it is my honey" (x).More to ExploreRomeo and Juliet: Complete Play with Explanatory NotesThemes and Motifs in Romeo and Juliet Stage History of Romeo and Juliet Romeo and Juliet: Exam Questions and Answers Queen Mab in Plain English Romeo and Juliet Plot Summary (Acts 1 and ii) What Is Achieved in Human activity I? sick and green ] The phrase sick and green refers to the anaemic condition known as chlorosis, or green sickness. The goddess Diana (the moon personified) is sickly stake and envious of Juliet'southward beauty (6). Juliet, too, as a follower of Diana (i.e,. a virgin) is looking quite sickly stake herself. As Helen Male monarch argues in her volume The illness of virgins: dark-green sickness, chlorosis and the problems of puberty, "...for an early mod reader, the disease label 'greenish sickness' - like 'the disease of virgins' - could incorporate within itself the cure: sexual experience" (35). Read on... Mercutio's Death and its Role in the Play Shakespeare on Fate How to Pronounce the Names in Romeo and Juliet Introduction to The Montagues and the Capulets Shakespeare's Language Notes on Shakespeare...Richard Shakespeare, Shakespeare's paternal grandpa, was a farmer in the small hamlet of Snitterfield, located four miles from Stratford. Records show that Richard worked on several different farms which he leased from various landowners. Coincidentally, Richard leased state from Robert Arden, Shakespeare'south maternal grandfather. Read on...____ Shakespeare caused substantial wealth thank you to his acting and writing abilities, and his shares in London theatres. The going charge per unit was £x per play at the turn of the sixteenth century. So how much money did Shakespeare make? Read on... Henry Bolingbroke, the eldest son of John of Gaunt and the grandson of King Edward Iii, was born on Apr three, 1367. Henry usurped the throne from the ineffectual King Richard II in 1399, and thus became King Henry Iv, the first of the three kings of the Business firm of Lancaster. Read on... Known to the Elizabethans every bit ague, Malaria was a mutual malady spread by the mosquitoes in the marshy Thames. The swampy theatre commune of Southwark was ever at risk. King James I had it; and then too did Shakespeare'southward friend, Michael Drayton. Read on... Shakespeare was familiar with 7 foreign languages and often quoted them straight in his plays. His vocabulary was the largest of any writer, at over twenty-four thousand words. Read on... |
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